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Ambivalent Identity | April 2024 | Bologna, Italy

 

A portrait—a bust—of a woman, inspired by the portrait of Saint Laura Montoya, a Catholic sister from Colombia (1874-1949). She worked with Indigenous people living deep in the jungle, with the poor, and with the most marginalized people in society. I came across her portrait by chance while randomly searching for prominent and interesting women in the history of Bologna. She drew my attention, especially since I was looking for a moral peace-seeking person to portray. During the sculpting process, the portrait acquired some of my own features as well.
I came to Bologna during turbulent times for my country, Israel. The events that occurred on the 7th of October and since challenged my opinions, which I question repeatedly. This new reality shattered my knowledge and understanding of some of the core moral ideas I live by.
Antony Gormley (sculptor, b. 1950) says in an interview: "Art belongs in the world. Art is about life and it needs to be in life. So I wanted to make work that I then test out what can this art do in the world. How will collective life respond to this still object, placed in the stream of life… "
Unlike Gormley, I hardly ever see the public response to the sculptures I place in the streets. I leave them and go. Usually, they disappear after a day or two (depending on the country). Why do I so willingly "lose" my sculptures?  I am fascinated and intrigued by the idea of leaving them to their fate on the streets.. This gives them freedom from rigid definitions and frameworks. I place the sculptures in different locations and am fascinated to see how they are immediately changed. The different surroundings give each sculpture a new context to relate to — whether it is in front of a church, in a public garden, a street with fancy restaurants and museums, or a side corner. I infuse them with my ideas, my reasons for creating them, and then I part with them. By scattering the sculptures in the public sphere, I "free" them from my line of thought and my ideas.
I exercise parting from something that was so dear and important to me for a while, an object of self-identification, and by doing so I free myself from its three-dimensional burden. 

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The project was created in DumBO – Multifunctional Urban District of Bologna in collaboration with Ofer Grunwald

2024, plaster, jute, wire, acrylic paint

  42.5x47x22 cm

2024, plaster, jute, wire, wood sticks, acrylic paint

  42.5x47x22 cm

2024, plaster, jute, wire, wood sticks, acrylic paint

  55.2x47x22 cm

2024, plaster, jute, wire, wood sticks, acrylic paint

  42.5x47x22 cm

2024, plaster, jute, wire, wood sticks, acrylic paint

  62x47x22 cm

Anchor 1

noa arad yairi

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